But one man in particular – Paul Authie – is so deeply interested in the whereabouts of the ring that he grows threatening when it goes missing. Soon the police and forensic experts are called in, disrupting the site and annoying her co-workers. There in a concealed chamber she finds two skeletons, one of which is clutching a book in a leather bag and a ring with a labyrinth design engraved upon it. In 2005, Alice Tanner is volunteering at an archaeology dig in the Sabarthes Mountains when she is drawn to a hidden cave in the hills. Probably its most unique aspect (one which Mosse also utilizes in Sepulchre and Citadel the Spiritual Successors and quasi-sequels to Labyrinth) is that there are actually two narratives at work, one contemporary, one set in the past, each running concurrently over the course of the story until they converge in the final chapters. That’s a hat-trick of delight right there. So it’s taken me this long to finally get my thoughts in order and write down something relevant concerning Labyrinth.Īt first glance, Labyrinth looks like the sort of story that’s been designed to cater to my specific tastes.
But I’ve now been able to watch it in its entirety and compare it to Kate Mosse’s original novel upon which it is based.
Ages ago I found the first half on YouTube and told myself I’d wait until the next day to watch the second – and of course by the time I returned (no more than twelve hours later) it had been taken down. At long last, I’ve managed to track down the second half of the Labyrinth television miniseries.
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